![waves multirack master bus compression waves multirack master bus compression](https://i.ytimg.com/vi/xPBEtRnYjkw/maxresdefault.jpg)
![waves multirack master bus compression waves multirack master bus compression](https://i.ytimg.com/vi/ohir5rLIcIs/mqdefault.jpg)
I go pretty aggressive, almost to the point where it’s too much but I’d rather have to dial back than have a mix without the main attraction being heard.’įOH engineer Phil Gornell’s aim is to recreate the precision sound of a studio recording in a live setting for Bring Me the Horizon. But the main thing is the R-Vox – it just puts the vocal right where I need it in the mix.
Waves multirack master bus compression driver#
Lately, I’ve been trying this with the OneKnob Driver as an alternative. For one song only, I add the GTR onto the vocal chain to give me a distortion effect. ‘On my background vocals, I also use the PuigChild Compressor along with the R-Vox. I barely touch any parameters on the API 2500, but as soon as I engage it everything just comes to life!’įor Monáe’s vocals, Davis uses the Renaissance plug-ins – R-EQ, R-Compressor and R-Vox. And on my LR I have the API 2500 – there’s something about it that just pushes my mix out past the PA. ‘On the bass, I’ve also incorporated the dbx 160 compressor. ‘For a lot of inputs I’ve been sticking to my regulars like the H-Comp,’ she says. Davis likes to keep it concise when it comes to effects processing, running the Waves MultiRack plug-in host with a SoundGrid Impact Server-C through DMI cards on her trusty DiGiCo SD10. Mixing the sundown set on Friday night at, Janelle Monáe’s right-hand woman, FOH engineer Amanda Davis, has been touring a Waves user for ‘as long as I can remember’.
![waves multirack master bus compression waves multirack master bus compression](https://cadac-sound.com/wp-content/uploads/2019/03/Cadac-Dynamics.jpg)
With some acts and their teams flying in and out the same day, engineers depend on the reliability and stability of their rigs. With a line-up spanning hip-hop, electronic and every genre of rock, plug-ins from Waves Audio served a variety of performers and mixing consoles. Now one of the longest-running in the US, the festival attracts close to half a million people each year, taking place over four days on Chicago’s lakefront. Conceived in 1991 by Perry Farrell as a farewell tour for Jane’s Addiction, the first iteration of Lollapalooza ran until 1997 when a partnership with concert promoters C3 Presents resuslted in Grant Park in Chicago becoming its permanent home in 2005.